We’ve seen plays produced by over 300 different theatre companies, and in a few cases more than 100 productions by a single company. Each company has its own personality and particular brand of creativity, and we thought a list of our favorite productions by some noteworthy theatre companies would be an interesting way to celebrate their special qualities.
(in alphabetical order by company; plays are in chronological order)
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About Face Theatre: The Little Dog Laughed by Douglas Carter Beane (2008), The Homosexuals by Philip Dawkins (2011), Abraham Lincoln Was a F*gg*t by Bixby Elliot (2015), Le Switch by Philip Dawkins (2016), I Am My Own Wife by Doug Wright (2016), Bright Half Life by Tanya Barfield (2017), Significant Other by Joshua Harmon (2017 co-production with Theater Wit), Bull in a China Shop by Bryna Turner (2018), This Bitter Earth by Harrison David Rivers (2018), The Total Bent by Stew and Rodewald (2019, produced by Haven Theatre in association with About Face Theatre), Packing by Scott Bradley (2019), The Magnolia Ballet by Terry Guest (2022), Mosque4Mosque by Omer Abbas Salem (2022)
The Agency Theater Collective: Tres Bandidos by Cody Lucas (2018), International Falls by Thomas Ward (2019)
American Blues Theater: Collected Stories by Donald Margulies (2013), Hank Williams: Lost Highway by Myler and Harelik (2013 and 2014), The Rainmaker by Richard Nash (2015), Little Shop of Horrors by Menken and Ashman (2016), The Columnist by David Auburn (2017), Six Corners by Keith Huff (2018), Buddy: The Buddy Holly Story by Alan Janes (2018), Flyin’ West by Pearl Cleage (2018), The Absolute Brightness of Leonard Pelkey by James Lecesne (2019), The Spitfire Grill by Valcq and Alley (2019), Five Presidents by Rick Cleveland (2019), Fences by August Wilson (2022), The Reclamation of Madison Hemings by Charles Smith (2024)
American Players Theatre: The Night of the Iguana by Tennessee Williams (2007), All My Sons by Arthur Miller (2013), The Doctor’s Dilemma by George Bernard Shaw (2014), An Iliad by O’Hare and Peterson (2015), A View from the Bridge by Arthur Miller (2017), Born Yesterday by Garson Kanin (2018), Heartbreak House by George Bernard Shaw (2018), The Man of Destiny by George Bernard Shaw (2019), The River Bride by Marisela Treviño Orta (2022), The Brothers Size by Tarell Alvin McCraney (2022), Sense and Sensibility by Austen, adapted by Swale (2022)
American Theater Company: Orpheus Descending by Tennessee Williams (2005), Oklahoma! by Rodgers and Hammerstein (2007), The Big Meal by Dan LeFranc (2011); Disgraced by Ayad Akhtar (2012), The Humans by Stephen Karam (2014), The Royale by Marco Ramirez (2015), The Project(s) by Paparelli and Jaeger (2015), Xanadu by Lynn, Farrar, and Beane (2016), Picnic by William Inge (2017)
Apple Tree Theatre: Assassins by Stephen Sondheim (1996), Indian Ink by Tom Stoppard (2002)
The Arc Theatre: Top Girls by Caryl Churchill (2015), Steel Magnolias by Robert Harling (2017), Stop Kiss by Diana Son (2020 co-production with Pride Films and Plays)
Artemisia: Belfast Girls by Jaki McCarrick (2015), Sweet Texas Reckoning by Traci Godfrey (2019), Title X by Julie Proudfoot (2022)
Artistic Home: Clash by Night by Clifford Odets (2006), Juno and the Paycock by Sean O’Casey (2008), Sweet Bird of Youth by Tennessee Williams (2010), Watch on the Rhine by Lillian Hellman (2014), Rock ’n’ Roll by Tom Stoppard (2018), Requiem for a Heavyweight by Rod Serling (2019), Ada and the Engine by Lauren Gunderson (2019), The Pavilion by Craig Wright (2022), Malapert Love by Siah Berlatsky (2022), Witch by Jen Silverman (2023)
BackStage Theatre Company: Waiting for Lefty by Clifford Odets (2007), Three Days of Rain by Richard Greenberg (2011)
Bailiwick Chicago: Jerry Springer – The Opera by Thomas and Lee (2007), Mahal by Danny Bernardo (2013), Dessa Rose by Ahrens and Flaherty (2014), Parade by Jason Robert Brown (2014 staged concert)
Blank Theatre Company: She Loves Me by Bock and Harnick (2022), The Wild Party by Andrew Lippa (2022), Merrily We Roll Along by Stephen Sondheim (2023), Promises, Promises by Bacharach, David, and Simon (2023)
Bluebird Arts: Three Hotels by Jon Robin Baitz (2016), Proof by David Auburn (2024)
BoHo Theatre: I Am My Own Wife by Doug Wright (2010), Floyd Collins by Guettel and Landau (2012), Pygmalion by George Bernard Shaw (2013 co-production with Stage Left Theatre), Kiss of the Spider Woman by Kander and Ebb (2013), Parade by Jason Robert Brown (2014), Next to Normal by Kitt and Yorkey (2016), Urinetown by Hollmann and Kotis (2017), Bright Star by Martin and Brickell (2019), Tick, Tick … Boom! by Jonathan Larson (2023)
Broken Nose Theatre: At the Table by Michael Perlman (2017)
Brown Paper Box Co.: The Baltimore Waltz by Paula Vogel (2017), Speech and Debate by Stephen Karam (2018), Everybody by Branden Jacobs-Jenkins (2018), Boombox by Hannah Starr (2018)
Caffeine Theatre: Under Milk Wood by Dylan Thomas (2009), Or, by Liz Duffy (2011 and 2012), The Oxford Roof Climber’s Rebellion by Stephen Massicotte (2012)
Chicago Children’s Theatre: Jackie and Me by Steven Dietz (2011), Bud, Not Buddy by Curtis and Jackson (2013), The Watsons Go to Birmingham – 1963 by Cheryl L. West, based on the novel by Christopher Paul Curtis (2019)
Chicago Dramatists: A Steady Rain by Keith Huff (2007), Dental Society Midwinter Meeting by Laura Jacqmin (2010), Blizzard ’67 by Jon Steinhagen (2012), Nameless and Shameless by MT Cozzola (2015 reading), Toni Stone by Lydia R. Diamond (2018 reading)
The Chicago Inclusion Project Staged Reading Series: The Time of Your Life by William Saroyan (2015 at Victory Gardens Theatre), PerKup Elkhorn by Isaac Gomez (2018 in collaboration with Jackalope Theatre Company)
Chicago Shakespeare Theater: Pacific Overtures by Stephen Sondheim (2001), A Little Night Music by Stephen Sondheim (2003), The Comedy of Errors by William Shakespeare (2008), Follies by Stephen Sondheim (2011), Gypsy by Styne and Sondheim (2014), Road Show by Stephen Sondheim (2014), The Tempest by William Shakespeare (2015), King Charles III by Mike Bartlett (2016), Shakespeare in Love by Norman and Stoppard adapted by Hall (2017), Nell Gwynn by Jessica Swale (2018), The King’s Speech by David Seidler (2019), Twelfth Night by William Shakespeare (2023)
Circle Theatre: When the Rain Stops Falling by Andrew Bovell (2013), First Lady Suite by Michael John LaChiusa (2016), The View Upstairs by Max Vernon (2018)
Citadel Theatre: Upright Grand by Laura Schellhardt (2017), Peter and the Starcatcher by Rick Elice (2019), Silent Sky by Lauren Gunderson (2024)
City Lit Theater Company: Oh, Boy by Kern and Wodehouse (2010), Voice of Good Hope by Kristine Thatcher (2020)
Collaboraction Theatre Company: The Intelligent Design of Jenny Chow by Rolin Jones (2007), La Havana Madrid by Sandra Delgado (2019, co-produced with Teatro Vista), Trial in the Delta: The Murder of Emmett Till adapted from the court transcripts by G. Riley Mills and Willie Round (2023)
Congo Square Theatre: Joe Turner’s Come and Gone by August Wilson (2007), What I Learned in Paris by Pearl Cleage (2016), Jitney by August Wilson (2018)
Court Theatre: The Real Thing by Tom Stoppard (1999), The Invention of Love by Tom Stoppard (2000), Travesties by Tom Stoppard (2005), Arcadia by Tom Stoppard (2007), Caroline, or Change by Tesori and Kushner (2008), The Mystery of Irma Vep by Charles Ludlam (2009), Porgy and Bess by George Gershwin (2011), Invisible Man by Ellison, adapted by Jacoby (2012), An Iliad by O’Hare and Peterson (2013), Native Son by Wright, adapted by Kelley (2014), Five Guys Named Moe by Clarke Peters (2017), Guess Who’s Coming to Dinner by Todd Kreidler (2018), The Adventures of Augie March by Bellow, adapted by Auburn (2019), The Gospel at Colonus by Breuer and Telson (2023), Rosencrantz and Guildenstern Are Dead by Tom Stoppard (2024)
Definition Theatre: Byhalia, Mississippi by Evan Linder (2016 co-production with The New Colony), An Octoroon by Branden Jacobs-Jenkins (2017), White by James Ijames (2022), Alaiyo by Micah Ariel Watson (2023)
The Den Theatre: Bus Stop by William Inge (2011), City of Dreadful Night by Don Nigro (2013), The Quality of Life by Jane Anderson (2013 at Theatre on the Lake)
Drury Lane Theatre: City of Angels by Coleman and Zippel (1993), Follies by Stephen Sondheim (1998), How to Succeed in Business Without Really Trying by Frank Loesser (2000), Cabaret by Kander and Ebb (2009), Ragtime by Ahrens and Flaherty (2010), Spamalot by Idle and du Prez (2011), Sweeney Todd by Stephen Sondheim (2011), The Sound of Music by Rodgers and Hammerstein (2011), Hairspray by Shaiman and Wittman (2012), Next to Normal by Kitt and Yorkey (2013), Young Frankenstein by Mel Brooks (2014), West Side Story by Bernstein and Sondheim (2015), Smokey Joe’s Cafe by Leiber and Stoller (2016), Crazy for You by Gershwin (2016), The Color Purple by Russell, Willis, Bray, and Norman (2019)
Eclipse Theatre Company: Blues for an Alabama Sky by Pearl Cleage (2007), Candles to the Sun by Tennessee Williams (2008), Blue Surge by Rebecca Gilman (2009), Ruined by Lynn Nottage (2014), Intimate Apparel by Lynn Nottage (2014)
ETOPiA (Engineering Transdisciplinary Outreach Project in the Arts, Northwestern University): QED by Peter Parnell (2010), The How and the Why by Sarah Treem (2012), Copenhagen by Michael Frayn (2018)
Firebrand Theatre: Lizzie by Cheslik-deMeyer, Hewitt, and Maner (2017), 9 to 5 The Musical by Parton and Resnick (2018), Caroline, or Change by Tesori and Kushner (2018), Queen of the Mist by Michael John LaChiusa (2019), Always…Patsy Cline by Ted Swindley (2019)
First Floor Theater: The Paranoid Style in American Politics by Emmett Rensin (2015), The Awake by Ken Urban (2016), peerless by Jiehae Park (2017), American Hero by Bess Wohl (2017), Dontrell, Who Kissed the Sea by Nathan Alan Davis (2018), Hooded, or Being Black for Dummies by Tearrance Arvelle Chisholm (2018), Sugar in Our Wounds by Donja R. Love (2019), Plano by Will Arbery (2020), The Secretaries by Omer Abbas Salem (2022), Botticelli in the Fire by Jordan Tannahill (2022), Hatefuck by Rehana Lew Mirza (2023)
First Folio Theatre: Design for Living by Noel Coward (2009), A Moon for the Misbegotten by Eugene O’Neill (2009), Unnecessary Farce by Paul Slade Smith (2012), Salvage by Joseph Zettelmaier (2014), Silent Sky by Lauren Gunderson (2017), Mary’s Wedding by Stephen Massicotte (2018), The Firestorm by Meridith Friedman (2019)
Fleetwood-Jourdain Theatre : A Home on the Lake by Stephen Fedo and Tim Rhoze (2018 in collaboration with Piven Theatre Workshop), Topdog/Underdog by Suzan-Lori Parks (2018), The Mountaintop by Katori Hall (2019), Black Ballerina by Stephen Fedo and Tim Rhoze (2019), American Son by Christopher Demos-Brown (2022), The Baldwin|Giovanni Experience by Tim Rhoze and Bria Walker (2023)
The Gift Theatre: The Ruby Sunrise by Rinne Groff (2009), One Flew Over the Cuckoo’s Nest by Kesey, adapted by Wasserman (2010), Suicide, Incorporated by Andrew Hinderaker (2010), Oh, the Humanity by Will Eno (2012), The Royal Society of Antarctica by Mat Smart (2015), The Grapes of Wrath by Steinbeck, adapted by Galati (2016), Hamlet by William Shakespeare (2018), Doubt: A Parable by John Patrick Shanley (2019), Wolf Play by Hansol Jung (2019), Kentucky by Leah Nanako Winkler (2019)
Goodman Theatre: A Little Night Music by Stephen Sondheim (1994), The Goat or, Who Is Sylvia? by Edward Albee (2003), The Light in the Piazza by Guettel and Lucas (2004), I Am My Own Wife by Doug Wright (2005), Romance by David Mamet (2006), The Clean House by Sarah Ruhl (2006), Ruined by Lynn Nottage (2008), Rock ‘n’ Roll by Tom Stoppard (2009), Candide by Leonard Bernstein (2010), God of Carnage by Yasmina Reza (2011), Chinglish by David Henry Hwang (2011), Race by David Mamet (2012), The Iceman Cometh by Eugene O’Neill (2012), Smokefall by Noah Haidle (2013 and 2014), Luna Gale by Rebecca Gilman (2014), Carlyle by Thomas Bradshaw (2016), Wonderful Town by Bernstein, Comden, and Green (2016), Uncle Vanya by Anton Chekhov (2017), Ah, Wilderness! by Eugene O’Neill (2017), The Wolves by Sarah DeLappe (2018), An Enemy of the People by Henrik Ibsen, adapted by Robert Falls (2018), Having Our Say by Emily Mann (2018), Father Comes Home from the Wars (Parts 1, 2 & 3) by Suzan-Lori Parks (2018), How to Catch Creation by Christina Anderson (2019), Lottery Day by Ike Holter (2019), The Music Man by Meredith Willson (2019), Roe by Lisa Loomer (2020), School Girls; Or, The African Mean Girls Play by Jocelyn Bioh (2020), Good Night, Oscar by Doug Wright (2022), Swing State by Rebecca Gilman (2022), Toni Stone by Lydia R. Diamond (2023), The Nacirema Society by Pearl Cleage (2023)
Griffin Theatre Company: Journey’s End by R. C. Sherriff (2008), The Robber Bridegroom by Waldman and Uhry (2009), Stage Door by Kaufman and Ferber (2009), Punk Rock by Simon Stephens (2012), Flare Path by Terence Rattigan (2013), Men Should Weep by Ena Lamont Stewart (2014), Pocatello by Samuel D. Hunter (2015), London Wall by John Van Druten (2016), Ragtime by Ahrens and Flaherty (2017), Violet by Tesori and Crawley (2017)
Habakkuk Theatre: November by David Mamet (2018)
Halcyon Theatre: American Hwangap by Lloyd Suh (2017), The River Bride by Marisela Treviño Orta (2017)
Haven: Seminar by Theresa Rebeck (2014), Hot Georgia Sunday by Catherine Trieschmann (2014), Last Train to Nibroc by Arlene Hutton (2015), How We Got On by Idris Goodwin (2016), The Total Bent by Stew and Rodewald (2019, in association with About Face Theatre)
Heartland Theatre Company (Normal, IL): These Shining Lives by Melanie Marnich (2012), Earth and Sky by Douglas Post (2013), The Language Archive by Julia Cho (2014), Tribes by Nina Raine (2015), Photograph 51 by Anna Ziegler (2017), A Doll’s House by Henrik Ibsen (2018), Human Terrain by Jennifer Blackmer (2021), Grand Horizons by Bess Wohl (2023), Bloomsday by Steven Dietz (2023)
Hell in a Handbag Productions: The Birds by Cerda and Pang (2013), Christmas Dearest by David Cerda (2013)
Highland Park Players: On the Town by Bernstein, 
Comden, and Green (2018)
The House Theatre of Chicago: The Sparrow by Mathews and Minton (2007), Wilson Wants It All by Rohd and Klapperich (2010), Season on the Line by Shawn Pfautsch (2014), United Flight 232 by Vanessa Stalling (2016)
The Hypocrites: Death of a Salesman by Arthur Miller (2005), Angels in America, Parts 1 and 2 by Tony Kushner (2006), The Bald Soprano by Eugene Ionesco (2007), Desire Under the Elms by Eugene O’Neill (2007), Our Town by Thornton Wilder (2008), Cabaret by Kander and Ebb (2010), No Exit by Jean-Paul Sartre (2010), Into the Woods by Stephen Sondheim (2014), All Our Tragic by Sean Graney (2014 and 2015), American Idiot by Armstrong and Mayer (2015), The Glass Menagerie by Tennessee Williams (2016), Adding Machine: a Musical by Schmidt and Loewith (2016)
Illinois Shakespeare Festival: Rosencrantz and Guildenstern Are Dead by Tom Stoppard (1997), Much Ado About Nothing by William Shakespeare (1998), Shakespeare’s Amazing Cymbeline adapted by Chris Coleman (2017), Shakespeare in Love by Norman and Stoppard adapted by Hall (2018)
The Inconvenience: Hit the Wall by Ike Holter (2012)
Indiana Repertory Theatre: Copenhagen by Michael Frayn (2002), Arcadia by Tom Stoppard (2003), Private Lives by Noel Coward (2004), Fallen Angels by Noel Coward (2012), A Little Night Music by Stephen Sondheim (2013), What I Learned in Paris by Pearl Cleage (2015), Sense and Sensibility by Austen, adapted by Swale (2022), The Folks at Home by R. Eric Thomas (2024)
Interrobang Theatre Project: Recent Tragic Events by Craig Wright (2016), The North Pool by Rajiv Joseph (2016), Foxfinder by Dawn King (2017), Out of Love by Elinor Cook (2019)
Invictus Theatre Company: A Raisin in the Sun by Lorraine Hansberry (2020), The Mountaintop by Katori Hall (2023), The Crucible by Arthur Miller (2023), Topdog/Underdog by Suzan-Lori Parks (2024)
Irish Theatre of Chicago (formerly Seanachai Theatre Compnay): The Shadow of a Gunman by Sean O’Casey (2011), A Moon for the Misbegotten by Eugene O’Neill (2012), The White Road by Karen Tarjan (2015)
Jackalope Theatre: The Last Duck by Lucas Neff (2012), Long Way Go Down by Zayd Dohrn (2012), Rich and Famous by John Guare (2013), Exit Strategy by Ike Holter (2014), Prowess by Ike Holter (2016), Ideation by Aaron Loeb (2017), 1980 (Or Why I’m Voting For John Anderson) by Patricia Cotter (2017), The Light Fantastic by Ike Holter (2018), In the Canyon by Calamity West (2018), Dutch Masters by Greg Keller (2019), Life on Paper by Kenneth Lin (2019), P.Y.G. or the Mis-Edumacation of Dorian Belle by Tearrance Arvelle Chisholm (2019), 14th Annual Living Newspaper Festival—with plays by Ike Holter, Nora Leahy, and Felicia Oduh (2023), The Smuggler by Ronán Noone (2024)
Kokandy Productions: The Last Five Years by Jason Robert Brown (2013), Sweet Smell of Success by Hamlisch, Carnelia, and Guare (2014), Loving Repeating by Flaherty and Stein (2015), The Wiz by Smalls and Brown (2017), Grand Hotel by Wright and Forrest (2018), Head over Heels adapted by James Magruder with book by Jeff Whitty and songs by The Go-Gos (2019), Sweeney Todd by Stephen Sondheim (2022)
Lifeline Theatre: Pride and Prejudice by Austen, adapted by Calvit (2012), The City & the City by Miéville, adapted by Walsh (2013), The Killer Angels by Shaara, adapted by Tarjan (2013), Monstrous Regiment by Pratchett, adapted by C. Hainsworth (2014), Northanger Abbey by Austen, music and lyrics by Howe and book by R. Kauzlaric (2016), Miss Holmes by Christopher M. Walsh (2016), Sylvester by Heyer, adapted by Calvit (2017), Emma by Austen, adapted by Timberlake (2019), Pride and Prejudice by Austen, adapted by Calvit (2020 online production)
The Little Theatre on the Square (Sullivan, IL): Mame by Jerry Herman (2000), The Sound of Music by Rodgers and Hammerstein (2014), Mary Poppins by Sherman and Sherman (2015), Hairspray by Shaiman and Wittman (2015), Smokey Joe’s Cafe by Leiber and Stoller (2017), Million Dollar Quartet by Escott and Mutrux (2018), Damn Yankees by Adler and Ross (2018), Oklahoma! by Rodgers and Hammerstein (2019), Newsies by Menken and Feldman (2019), La Cage aux Folles by Jerry Herman (2022)
LiveWire Chicago Theatre: A Permanent Image by Samuel D. Hunter (2013)
Lookingglass Theatre Company: Mr Rickey Calls a Meeting by Ed Schmidt (2012), Eastland by White, Pluess, and Sussman (2012), Moby Dick by Melville, adapted by Catlin (2015 and 2017), Life Sucks by Aaron Posner (2016), Act(s) of God by Kareem Bandealy (2019), Lucy and Charlie’s Honeymoon by Matthew C. Yee (2023)
Madkap Productions: Next to Normal by Kitt and Yorkey (2015), Proof by David Auburn (2018), A Chorus Line by Hamlisch and Kleban (2023)
Marriott Theatre: A Funny Thing Happened on the Way to the Forum by Stephen Sondheim (2005), The Producers by Mel Brooks (2007), The Light in the Piazza by Guettel and Lucas (2009), Hairspray by Shaiman and Wittman (2009), Guys and Dolls by Frank Loesser (2011), On the Town by Bernstein, Comden, and Green (2014), City of Angels by Coleman and Zippel (2015), Ragtime by Ahrens and Flaherty (2018), Oklahoma! by Rodgers and Hammerstein (2018), Murder for Two by Kinosian and Blair (2018), Something’s Rotten by Karey and Wayne Kirkpatrick (2019), The Sound of Music by Rodgers and Hammerstein (2022), Buddy: The Buddy Holly Story by Alan Janes (2023), Beautiful: The Carole King Musical by King, Goffin, Mann, Weil, and McGrath (2023), In the Heights by Lin-Manuel Miranda (2024)
Mary-Arrchie Theatre Co.: Red Light Winter by Adam Rapp (2011), Superior Donuts by Tracy Letts (2012), The Glass Menagerie by Tennessee Williams (2013), American Buffalo by David Mamet (2016)
Mercury Theater Chicago: Freud’s Last Session by Mark St. Germain (2012), The Producers by Mel Brooks (2016), Company by Stephen Sondheim (2018), Avenue Q by Marx and Lopez (2018), Little Shop of Horrors by Menken and Ashman (2019), Spamalot by Idle and du Prez (2019), Sister Act by Menken and Slater (2021), Priscilla, Queen of the Desert by Elliott and Scott (2022), Young Frankenstein by Mel Brooks (2023)
Milwaukee Chamber Theatre: Mauritius by Theresa Rebeck (2011), Vanya and Sonia and Masha and Spike by Christopher Durang (2016), Great Expectations by Dickens, adapted by Daly (2017), The Brothers Size by Tarell Alvin McCraney (2018), Ben Butler by Richard Strand (2019), The Island by Athol Fugard (2022), Where Did We Sit on the Bus? by Brian Quijada (2022)
Milwaukee Repertory Theater: Copenhagen by Michael Frayn (2003), A Flea in Her Ear by Georges Feydeau (2005), Born Yesterday by Garson Kanin (2006), The Norman Conquests by Alan Ayckbourn (2007), State of the Union by Lindsay and Crouse (2008), Speaking in Tongues by Andrew Bovell (2011), Assassins by Stephen Sondheim (2012), Ragtime by Ahrens and Flaherty (2013), Ain’t Misbehavin’ by Fats Waller (2014), The Invisible Hand by Ayad Akhtar (2016), Dial M for Murder by Knott, adapted by Hatcher (2023)
MPAACT: Stage Black by Lydia R. Diamond (2009), Black and Blue by Shepsu Aakhu (2018), Spoken Word by Shepsu Aakhu (2020), Ride or Die by Shepsu Aakhu (2022)
Music Theater Works (Light Opera Works prior to 2017): Candide by Leonard Bernstein (2004), Guys and Dolls by Frank Loesser (2015), My Fair Lady by Lerner and Loewe (2016), Candide by Leonard Bernstein (2017), Judy Garland: Come Rain or Come Shine starring Angela Ingersoll (2018), Into the Woods by Stephen Sondheim (2018), Ragtime by Ahrens and Flaherty (2021), La Cage aux Folles by Jerry Herman (2022), Camelot by Lerner and Loewe, book adapted by David Lee (2022). The Producers by Mel Brooks (2023), The 25th Annual Putnam County Spelling Bee by William Finn (2024)
Music Theatre Company: Merrily We Roll Along by Stephen Sondheim (2011), Do I Hear a Waltz? by Rodgers and Sondheim (2014), The 9/11 Report by Mahler and Redish (2015 reading)
The New Coordinates (The New Colony prior to 2021): Tupperware: An American Musical Fable by Nichols and Hobgood (2009), 5 Lesbians Eating a Quiche by Hobgood and Linder (2011 and 2014), Byhalia, Mississippi by Evan Linder (2016 co-production with Definition Theatre), The Light by Loy Webb (2018)
Next Act Theatre (Milwaukee): Bloomsday by Steven Dietz (2017), Silent Sky by Lauren Gunderson (2017), I and You by Lauren Gunderson (2018), Blood at the Root by Dominique Morisseau (2019), Kill Move Paradise by James Ijames (2022), God’s Spies by Bill Cain (2023)
Next Theatre Company: Defiance by John Patrick Shanley (2007), Trouble in Tahiti by Leonard Bernstein (2008), The Overwhelming by J. T. Rogers (2009), Madagascar by J. T. Rogers (2011), Everything Is Illuminated by Simon Block (2013)
NightBlue Performing Arts Company: Spamalot by Idle and du Prez (2013), The Producers by Mel Brooks (2015)
Northlight Theatre: At Wit’s End by Coons and Duff (2003), Lady Windermere’s Fan by Oscar Wilde (2004), Inherit the Wind by Lawrence and Lee (2006), She Stoops to Conquer by Oliver Goldsmith (2007), Mauritius by Theresa Rebeck (2009), Lost in Yonkers by Neil Simon (2014), Charm by Philip Dawkins (2015), Shining Lives: A Musical by Pluess, Dehnert, and Thebus (2015), Mothers and Sons by Terrence McNally (2016), Butler by Richard Strand (2016), Miss Bennet: Christmas at Pemberley by Gunderson and Melcon (2016), Into the Breeches by George Brant (2019), Dear Jack, Dear Louise by Ken Ludwig (2022), Birthday Candles by Noah Haidle (2023)
Oak Park Festival Theatre: Arms and the Man by George Bernard Shaw (2009), To Kill a Mockingbird by Lee, adapted by Sergel (2015), The African Company Presents Richard III by Carlyle Brown (2018)
Open Door Theater: Smokey Joe’s Cafe by Leiber and Stoller (2011), The Pavilion by Craig Wright (2018), Best of Enemies by Mark St. Germain (2019)
Oracle Theatre: The Mother by Bertolt Brecht (2013), The Jungle by Sinclair, adapted by Foss (2014), The Hairy Ape by Eugene O’Neill (2016)
Organic Theater Company: All in the Timing by David Ives (2010), Picasso at the Lapin Agile by Steve Martin (2015), Melancholy Play by Sarah Ruhl (2019), The Memo by Václav Havel (2019)
Paramount Theatre: The Music Man by Meredith Willson (2013), Mary Poppins by Sherman and Sherman (2014), Oklahoma! by Rodgers and Hammerstein (2015), Hairspray by Shaiman and Wittman (2016), West Side Story by Bernstein and Sondheim (2016), Sweeney Todd by Stephen Sondheim (2017), Million Dollar Quartet by Escott and Mutrux (2017), Once by Hansard, Irglova, and Walsh (2018), Newsies by Menken and Feldman (2019), Into the Woods by Stephen Sondheim (2023)
Paramount/Copley Theatre: Sweat by Lynn Nottage (2022), Fun Home by Tesori and Kron (2022), What the Constitution Means to Me by Heidi Schreck (2023)
The Passage Theatre: Happy Birthday Mars Rover by Preston Choi (2019)
Pegasus Players: Company by Stephen Sondheim (1997), Saturday Night by Stephen Sondheim (1999)
Pegasus Theatre Chicago: Rutherford’s Travels, adapted by Duncan and Barr from Charles R. Johnson’s novel Middle Passage (2016), The Green Book by Calvin Ramsey (2018), Eclipsed by Danai Gurira (2018 and Theater on the Lake 2019)
Phoenix Theatre (Indianapolis): Company by Stephen Sondheim (1998), August: Osage County by Tracy Letts (2012), The Agitators by Mat Smart (2020), The Magnolia Ballet by Terry Guest (2022)
Piven Theatre Workshop: The Language Archive by Julia Cho (2014), Melancholy Play by Ruhl and Almond (2015), A Home on the Lake by Stephen Fedo and Tim Rhoze (2018 in collaboration with Fleetwood-Jourdain Theatre), Hopelessly Devoted by Kate Tempest (2019)
Porchlight Music Theatre: Merrily We Roll Along by Stephen Sondheim (2000), Passion by Stephen Sondheim (2001), Ragtime by Ahrens and Flaherty (2007), Candide by Leonard Bernstein (2008), Putting It Together by Stephen Sondheim (2011), Anyone Can Whistle by Stephen Sondheim (2013 Porchlight Revisits series), Ain’t Misbehavin’ by Fats Waller (2014 and 2015), City of Angels by Coleman and Zippel (2015 Porchlight Revisits series), Sondheim on Sondheim by Stephen Sondheim (2015), Marry Me a Little by Stephen Sondheim (2017), Merrily We Roll Along by Stephen Sondheim (2018), Memphis by Bryan and DiPietro (2018), Gypsy by Styne and Sondheim (2018), 1776 by Edwards and Stone (2018 Porchlight Revisits series), A Gentleman’s Guide to Love and Murder by Lutvak and Freedman (2019), A Chorus Line by Hamlisch and Kleban (2019), Call Me Madam by Irving Berlin (2019), Sophisticated Ladies by Duke Ellington, concept by Donald McKayle (2020), Passing Strange by Stew and Rodewald (2022 Porchlight Revisits series), Anything Goes by Cole Porter (2024)
PrideArts (formerly Pride Films & Plays): The Submission by Jeff Talbott (2014), His Greatness by Daniel MacIvor (2017), YANK! by Joseph and David Zellnik (2018), Homos, or Everyone in America by Jordan Seavey (2018), Mothers and Sons by Terrence McNally (2018 reading), It’s Only a Play by Terrence McNally (2018), I Know My Own Heart by Emma Donoghue (2019), Southern Comfort by Davis and Collins (2019), All That He Was by Cousineau and O’Connor (2019), Casa Valentina by Harvey Fierstein (2019), Stop Kiss by Diana Son (2020 co-production with The Arc Theatre)
Promethean Theatre Ensemble: The Lion in Winter by James Goldman (2016), Arcadia by Tom Stoppard (2018), Mad Beat Hip & Gone by Steven Dietz (2019), Blue Stockings by Jessica Swale (2019)
Pulse Theatre Chicago: Who’s Afraid of Virginia Woolf? by Edward Albee (2017), Once on This Island by Ahrens and Flaherty (2023, at eta Creative Arts Foundation)
Rasaka Theatre Company: Multitudes by John Hollingworth (2016 co-production with Vitalist Theatre Company), Merchant on Venice by Shishir Kurup (2018 co-production with Vitalist Theatre Company)
Raven Theatre: Golden Boy by Clifford Odets (2003), Social Security by Andrew Bergman (2003), The Price by Arthur Miller (2012), Boy Gets Girl by Rebecca Gilman (2013), The Playboy of the Western World by J. M. Synge (2014), Vieux Carre by Tennessee Williams (2014), Direct from Death Row: The Scottsboro Boys by Stein and White (2015), Betrayal by Harold Pinter (2016), The Gentleman Caller by Philip Dawkins (2018), Yen by Anna Jordan (2019), The Luckiest by Melissa Ross (2022), Right to Be Forgotten by Sharyn Rothstein (2023), The October Storm by Joshua Allen (2023)
A Red Orchid Theatre: The Hothouse by Harold Pinter (2006), Mistakes Were Made by Craig Wright (2009), The Opponent by Brett Neveu (2012), Trevor by Nick Jones (2013), The Mutilated by Tennessee Williams (2016), Traitor by Brett Neveu (2018), 33 to Nothing by Grant Varjas (2018), Killing Game by Eugene Ionesco (2019)
Red Tape Theatre: Round Heads and Pointed Heads by Bertolt Brecht (2018), The Shipment by Young Jean Lee (2018), All Quiet on the Western Front by Erich Maria Remarque, adapted by Matt Foss (2019)
Redtwist Theatre: Lobby Hero by Kenneth Lonergan (2010), Man from Nebraska by Tracy Letts (2011), Opus by Michael Hollinger (2012), Clybourne Park by Bruce Norris (2013), Incident at Vichy by Arthur Miller (2015), Good People by David Lindsay-Abaire (2015), Who’s Afraid of Virginia Woolf? by Edward Albee (2015), Frost/Nixon by Peter Morgan (2018), Between Riverside and Crazy by Stephen Adly Guirgis (2019), Herland by Grace McLeod (2019)
Refuge Theatre Project: High Fidelity by Kitt, Green, and Lindsay-Abaire (2017), The Spitfire Grill by Valcq and Alley (2018), The Last Session by Schalchlin and Brochu (2018)
Remy Bumppo Theatre Company: Hapgood by Tom Stoppard (2001), Holiday by Philip Barry (2002), Some Americans Abroad by Richard Nelson (2004), A Delicate Balance by Edward Albee (2004), The Best Man by Gore Vidal (2006), Night and Day by Tom Stoppard (2010), Seascape by Edward Albee (2012), You Never Can Tell by George Bernard Shaw (2012), Both Your Houses by Maxwell Anderson (2014), Travesties by Tom Stoppard (2015), Pygmalion by George Bernard Shaw (2016), Born Yesterday by Garson Kanin (2017), Great Expectations by Charles Dickens, adapted by Tanika Gupta (2017 co-production with Silk Road Rising), Howards End by Douglas Post from the E. M. Forster novel (2019), Top Girls by Caryl Churchill (2020), Anna in the Tropics by Nilo Cruz (2023), Blues for an Alabama Sky by Pearl Cleage (2023)
Renaissance Theaterworks (Milwaukee): Blackbird by David Harrower (2010), Crumbs from the Table of Joy by Lynn Nottage (2011), Educating Rita by Willy Russell (2013), The Understudy by Theresa Rebeck (2014), Amelia by Alex Webb (2014), Luna Gale by Rebecca Gilman (2017), The Violet Hour by Richard Greenberg (2017), Photograph 51 by Anna Ziegler (2019), The Wolves by Sarah DeLappe (2024)
Repertory Theatre of St. Louis: Proof by David Auburn (2002), Copenhagen by Michael Frayn (2003), Venus in Fur by David Ives (2013), Angels in America, Parts 1 and 2 by Tony Kushner (2019)
Rivendell Theatre Ensemble: WRENS by Anne McGravie (2012), American Wee-Pie by Lisa Dillman (2013), Women at War by Megan Carney (2014), The Cake by Bekah Brunstetter (2018), Something Clean by Selina Fillinger (2019 co-production with Sideshow Theatre Company), Wipeout by Aurora Real de Asua (2024)
Route 66 Theatre Company: A Twist of Water by Caitlin Parrish (2011), The Outsider by Paul Slade Smith (2015 reading)
Shattered Globe Theatre: Come Back, Little Sheba by William Inge (2006), The Price by Arthur Miller (2007), Requiem for a Heavyweight by Rod Serling (2008), Orpheus Descending by Tennessee Williams (2012), The Rose Tattoo by Tennessee Williams (2015), Marvin’s Room by Scott McPherson (2015), In the Heat of the Night by Ball, adapted by Pelfrey (2016), The Realistic Joneses by Will Eno (2019 co-production with Theater Wit), Sheepdog by Kevin Artigue (2020), Radial Gradient by Jasmine Sharma (2023), London Road by Blythe and Cork (2023), A View from the Bridge by Arthur Miller (2023)
Shaw Festival (Ontario): His Majesty by Harley Granville-Barker (2002), Detective Story by Sidney Kingsley (2002), Hay Fever by Noel Coward (2002), Waiting for the Parade by John Murrell (2004), Ah, Wilderness! by Eugene O’Neill (2004), Man and Superman by George Bernard Shaw (2004), Nothing Sacred by George F. Walker (2004), Something on the Side by Georges Feydeau (2005), You Never Can Tell by George Bernard Shaw (2005), Gypsy by Styne and Sondheim (2005), The Magic Fire by Lillian Groag (2006), Rosmersholm by Henrik Ibsen (2006), The President by Molnar, adapted by Brebner (2008), Half an Hour by J. M. Barrie (2010), Serious Money by Caryl Churchill (2010), Age of Arousal by Linda Griffiths (2010), The Admirable Crichton by J. M. Barrie (2011), Trouble in Tahiti by Leonard Bernstein (2012), Ragtime by Ahrens and Flaherty (2012), A Man and Some Women by Githa Sowerby (2012), Guys and Dolls by Frank Loesser (2013), Peace in Our Time by John Murrell (2013), The Twelve-Pound Look by J. M. Barrie (2015), The Adventures of the Black Girl in Her Search for God by Lisa Codrington, adapted from Shaw (2016)
ShawChicago Theater Company: The Philanderer by George Bernard Shaw (2010), The Doctor’s Dilemma by George Bernard Shaw (2010), Quartets by J. M. Barrie (2013), Man and Superman by George Bernard Shaw (2014), You Never Can Tell by George Bernard Shaw (2016), Hay Fever by Noel Coward (2018), Candida by George Bernard Shaw (2018), Arms and the Man by George Bernard Shaw (2019)
Sideshow Theatre Company: Theories of the Sun by Kathleen Akerley (2010), Stupid Fucking Bird by Aaron Posner (2014), The Happiest Place on Earth by Philip Dawkins (2016), Give It All Back by Calamity West (2016), Tilikum by Kristiana Rae Colón (2018), The Ridiculous Darkness by Wolfram Lotz (2019), Solemn Mass for a Full Summer Moon by Michel Tremblay, translated and adapted by Philip Dawkins (2019 reading), Something Clean by Selina Fillinger (2019 co-production with Rivendell Theatre Ensemble)
Signal Ensemble Theatre: The Zoo Story by Edward Albee and The Dumb Waiter by Harold Pinter (2006), East of Berlin and The Russian Play by Hannah Moscovitch (2011), This is War by Hannah Moscovitch (2013), Plainsong by Haruf, adapted by Schmiedl (2014)
Silk Road Rising: Durango by Julia Cho (2008), Yellow Face by David Henry Hwang (2011), Night Over Erzinga by Adriana Sevahn Nichols (2012), The Lake Effect by Rajiv Joseph (2013), Great Expectations by Charles Dickens, adapted by Tanika Gupta (2017 co-production with Remy Bumppo), A Great Migration by Preston Choi (2018 reading, presented by Silk Road Rising and A-Squared Theatre), Twice, Thrice, Frice … by Fouad Teymour (2019)
16th Street Theater: Yasmina’s Necklace by Rohina Malik (2016), The Book Club Play by Karen Zacarías (2016), Blizzard ’67 by Jon Steinhagen (2017), Into the Beautiful North by Karen Zacarías (2017), The Wolf at the End of the Block by Ike Holter (2018), His Shadow by Loy Webb (2019)
Skylight Music Theatre (Milwaukee): A Little Night Music by Stephen Sondheim (1995), Hello, Dolly! by Jerry Herman (2001), Sunday in the Park with George by Stephen Sondheim (2012), Sweeney Todd by Stephen Sondheim (2017), Hairspray by Shaiman and Wittman (2018)
Spartan Theatre Company: A Bright Room Called Day by Tony Kushner (2014), Jake’s Women by Neil Simon (2015), A Walk in the Woods by Lee Blessing (2016)
Stage Left Theatre: Farragut North by Beau Willimon (2011), Pygmalion by George Bernard Shaw (2013 co-production with BoHo Theatre), Principal Principle by Joe Zarrow (2014 co-production with Theatre Seven), The Body of an American by Dan O’Brien (2016), Insurrection: Holding History by Robert O’Hara (2018)
The Station Theatre (Urbana, IL): You Can’t Take It With You by Kaufman and Hart (1992), The Lion in Winter by James Goldman (1992), Greater Tuna by Williams and Sears (1993), Three Men on a Horse by Abbott and Holm (1993), All in the Timing by David Ives (1994), Angels in America, Parts 1 and 2 by Tony Kushner (1996), Tales of the Lost Formicans by Constance Congdon (1997), On the Razzle by Tom Stoppard (1997), Orpheus Descending by Tennessee Williams (2005), Rantoul and Die by Mark Roberts (2006), Speech & Debate by Stephen Karam (2008), The Little Dog Laughed by Douglas Carter Beane (2010), A Steady Rain by Keith Huff (2010), The Light in the Piazza by Guettel and Lucas (2011), Hairspray by Shaiman and Wittman (2011), My Antonia by Cather, adapted by Dapier (2011), Floyd Collins by Guettel and Landau (2015), A Minister’s Wife by Schmidt and Tranen (2015), Fun Home by Tesori and Kron (2018), August: Osage County by Tracy Letts (2018), Stupid Fucking Bird by Aaron Posner (2019), The Moors by Jen Silverman (2020), Homegrown: An Insurrection Play by Nicole Anderson Cobb (2022)
Steep Theatre Company: Harper Regan by Simon Stephens (2010), Festen by David Eldridge (2011), Love and Money by Dennis Kelly (2012), The Few by Samuel D. Hunter (2016), Earthquakes in London by Mike Bartlett (2017), The Invisible Hand by Ayad Akhtar (2017), First Love Is the Revolution by Rita Kalnejais (2019), Red Rex by Ike Holter (2019 and Theater on the Lake 2019)
Steppenwolf Theatre Company: August: Osage County by Tracy Letts (2007), Superior Donuts by Tracy Letts (2008), Perfect Mendacity by Jason Wells (2008), The Brother/Sister Plays by Tarell Alvin McCraney (2010), To Kill a Mockingbird by Lee, adapted by Sergel (2010), The North Plan by Jason Wells (2010), Who’s Afraid of Virginia Woolf? by Edward Albee (2011), Clybourne Park by Bruce Norris (2011), The Book Thief by Zusak, adapted by Stillman (2012), Tribes by Nina Raine (2014), Linda Vista by Tracy Letts (2017), Pass Over by Antoinette Nwandu (2017), The Minutes by Tracy Letts (2017), BLKS by Aziza Barnes (2017), Ms. Blakk for President by Tina Landau and Tarell Alvin McCraney (2019), The Great Leap by Lauren Yee (2019), Dance Nation by Clare Barron (2020), Choir Boy by Tarell Alvin McCraney (2022), Purpose by Branden Jacobs-Jenkins (2024)
The Story Theatre: Leave Me Alone! by Paul Michael Thomson (2018), At the Wake of a Dead Drag Queen by Terry Guest (2019), Marie Antoinette and the Magical Negroes by Terry Guest (2022)
Stratford Festival (Ontario): Orpheus Descending by Tennessee Williams (2005), To Kill a Mockingbird by Lee, adapted by Sergel (2007), Oklahoma! by Rodgers and Hammerstein (2007), The Music Man by Meredith Willson (2008), West Side Story by Bernstein and Sondheim (2009), A Funny Thing Happened on the Way to the Forum by Stephen Sondheim (2009), The Importance of Being Earnest by Oscar Wilde (2009), The Grapes of Wrath by Steinbeck, adapted by Galati (2011), The Thrill by Judith Thompson (2013), The Last Wife by Kate Hennig (2015), The Sound of Music by Rodgers and Hammerstein (2015)
Strawdog Theatre Company: Marathon ’33 by June Havoc (2006), Improbable Frequency by Riordan and Bell Helicopter (2013), Great Expectations by Dickens, adapted by Daly (2013 and 2014), Fail/Safe by Burdick and Wheeler, adapted by Klix and Lawfer (2014), The Sweeter Option by John Henry Roberts (2015), D.O.A. adapted by Elizabeth Lovelady from the screenplay by Rouse and Green (2016), Once in a Lifetime by Kaufman and Hart (2016), Cymbeline by William Shakespeare adapted by Robert Kauzlaric (2017)
Teatro Vista: A View from the Bridge by Arthur Miller (2014), The Wolf at the End of the Block by Ike Holter (2017), La Havana Madrid by Sandra Delgado (2017 and 2019, co-produced with Collaboraction)
Theater Oobleck: The Strangerer by Mickle Maher (2007), Strauss at Midnight by Jeff Dorchen (2009), The Hunchback Variations Opera by Messing and Maher (2012), An Actor Prepares by Mickle Maher (2012), Forbidden Best Sellers of Pre-Revolutionary France by David Isaacson (2013 reading), Syndrome by David Isaacson (2023 reading)
Theater Unspeakable: The American Revolution devised by company members (2018)
Theater Wit: Tigers Be Still by Kim Rosenstock (2012), Completeness by Itamar Moses (2013), Seven Homeless Mammoths Wander New England by Madeleine George (2014), The Watson Intelligence by Madeleine George (2015), Naperville by Mat Smart (2016), Significant Other by Joshua Harmon (2017 co-production with About Face Theatre), The Realistic Joneses by Will Eno (2019 co-production with Shattered Globe Theatre), Admissions by Joshua Harmon (2019)
Theatre at the Center: Gypsy by Styne and Sondheim (2003), She Loves Me by Bock and Harnick (2004), La Cage aux Folles by Jerry Herman (2008), The Producers by Mel Brooks (2008), Making God Laugh by Sean Grennan (2012), Big Fish by Lippa and August (2015), Spamalot by Idle and du Prez (2015)
Theo Ubique Cabaret Theatre: The Light in the Piazza by Guettel and Lucas (2012), Smokey Joe’s Cafe by Leiber and Stoller (2012), Passion by Stephen Sondheim (2014), The Most Happy Fella by Frank Loesser (2017), A New Brain by Finn and Lapine (2017), Sweeney Todd by Stephen Sondheim (2018), The Bridges of Madison County by Jason Robert Brown (2019), Once Upon a Mattress by Rodgers and Barer (2022), Refuge by Chávez and Rosendorf (2022), Assassins by Stephen Sondheim (2023), Sondheim Tribute Revue (2024)
TimeLine Theatre Company: Awake and Sing! by Clifford Odets (2002), Fiorello! by Bock and Harnick (2006 and 2008), The Children’s Hour by Lillian Hellman (2006), The History Boys by Alan Bennett (2009), All My Sons by Arthur Miller (2009), Master Harold and the Boys by Athol Fugard (2010), The Farnsworth Invention by Aaron Sorkin (2010), Frost/Nixon by Peter Morgan (2010), To Master the Art by Brown and Frew (2010 and 2013), In Darfur by Winter Miller (2011), The Pitmen Painters by Lee Hall (2011), 33 Variations by Moises Kaufman (2012), A Raisin in the Sun by Lorraine Hansberry (2013), The Normal Heart by Larry Kramer (2013), The Last Wife by Kate Hennig (2016), The Audience by Peter Morgan (2017), Nat Turner in Jerusalem by Nathan Alan Davis (2018 reading), Oslo by J. T. Rogers (2019), Relentless by Tyla Abercrumbie (2022), Trouble in Mind by Alice Childress (2022), What the Constitution Means to Me by Heidi Schreck (2023)
TUTA Theatre Chicago: Uncle Vanya by Anton Chekhov (2009), The Wedding by Bertolt Brecht (2010), The Jewels by de Maupassant, adapted by Anderson (2014), Music Hall by Jean-Luc Lagarce (2015)
Underscore Theatre Company: Haymarket by Alex Higgin-Houser and David Kornfeld (2018)
Victory Gardens Theater: I Sailed with Magellan by Dybek, adapted by Allen (2007), In the Next Room, or the vibrator play by Sarah Ruhl (2011), We Are Proud to Present a Presentation by Jackie Sibblies Drury (2012), Failure: A Love Story by Philip Dawkins (2012), The Whale by Samuel D. Hunter (2013), Rest by Samuel D. Hunter (2014), Where Did We Sit on the Bus? by Brian Quijada (2017), Fun Home by Tesori and Kron (2017), Indecent by Paula Vogel (2018), Rightlynd by Ike Holter (2018), Cambodian Rock Band by Lauren Yee (2019), The First Deep Breath by Lee Edward Colston II (2019)
Vitalist Theatre: Mother Courage and Her Children by Bertolt Brecht (2006), Multitudes by John Hollingworth (2016 co-production with Rasaka Theatre Company), Merchant on Venice by Shishir Kurup (2018 co-production with Rasaka Theatre Company)
Windy City Playhouse: Stick Fly by Lydia R. Diamond (2015), Becky Shaw by Gina Gionfriddo (2017), The Boys in the Band by Mart Crowley (2020)
Writers Theatre: Misalliance by George Bernard Shaw (2002), Rocket to the Moon by Clifford Odets (2002), Rough Crossing by Tom Stoppard (2003), Arms and the Man by George Bernard Shaw (2005), Another Part of the Forest by Lillian Hellman (2006), The Savannah Disputation by Evan Smith (2007), Picnic by William Inge (2008), A Minister’s Wife by Schmidt and Tranen (2009), Oh Coward! by Noel Coward (2009), A Streetcar Named Desire by Tennessee Williams (2010), She Loves Me by Bock and Harnick (2010), Travels with My Aunt by Greene, adapted by Havergal (2010), The Real Thing by Tom Stoppard (2011), A Little Night Music by Stephen Sondheim (2012), Sweet Charity by Coleman and Fields (2013), Company by Stephen Sondheim (2016), Parade by Jason Robert Brown (2017), The Importance of Being Earnest by Oscar Wilde (2017); A Moon for the Misbegotten by Eugene O’Neill (2018), Smart People by Lydia R. Diamond (2018), Next to Normal by Kitt and Yorkey (2019), Into the Woods by Stephen Sondheim (2019), Stick Fly by Lydia R. Diamond (2020), Wife of a Salesman by Eleanor Burgess (2022), Once by Hansard, Irglova, and Walsh (2023), The Band’s Visit by Yazbek and Moses (2024)
The Yard: I and You by Lauren Gunderson (2016), Blood at the Root by Dominique Morisseau (2017)
Young People’s Theatre of Chicago: The Diary of Anne Frank by Goodrich and Hackett, adapted by Wendy Kesselman (2024)
